Category Archives: Pendants

Earrings, Metal Work, Necklaces, Pendants, Wire Work

Bird Brain

January 23, 2011 Karen

It’s Cedar Fever season in my neck of the woods and it tends to make me feel a bit dull. After doing a few things that I felt weren’t too smart the past few days, the term “bird brain” popped into my mind. I don’t actually think that anyone has ever called me that derogatory term, but I have heard it used before. So, I wondered. Is it right that when you aren’t functioning at a real high level could you be experiencing the “bird brain” phenomenon?

As it turns out, being called “bird brain” might be a compliment. While scientists used to believe that most of a bird’s brain was a primitive and instinctual structure, recent discoveries indicate that about 75 percent of the brains of songbirds actually serve as a sophisticated information processing center. Many songbirds actually have a more powerful processing center than mammals. The bird’s brain is pretty small, but it’s also quite mighty.

I made a bird necklace yesterday in honor of those little brains everywhere.

The bird is difficult to spot on the copper pendant. I used a nice stamp pad of a bird scene to apply stop out to the metal and then etched it. A close up photo follows. It is much clearer in reality.

I hung the earrings on the necklace for photo taking purposes and wanted to show you the new twisted wire I’m trying out. Although the ends are difficult to deal with, I like the look of this wire. I also used it for a couple of swirls in the handmade chain on the necklace shown in the next photo.

From now on, when I’m struggling with those high cognitive processes, I will not think about bird brains. I will simply hope that my brain is half as power packed as those little song birds.

Tweet … tweet!

Bracelets, Color, Metal Work, Necklaces, Pendants, Wire Work

Spring is in the Cold Air

January 21, 2011 Karen 2 Comments

Yesterday was one of the coldest days we’ve had this season in South Texas. Although I am seldom chilled while hammering, torching and working with my tools, yesterday was an exception. I was trying to imagine warm Spring breezes blowing across the bluebonnets and women in cotton dresses and floppy hats out enjoying the day. Alas, it was a very big stretch to say the least.

If you are a designer or type of merchant who makes changes in merchandise with the seasons, you may be experiencing my difficulty. At the height of a given season or perhaps even before that season begins, we need to switch gears and plan for the next one. So here goes. I’m layered in warm clothes from head to toe and I have the Spring palette of colors laid out to work with. It just doesn’t seem right, but it IS necessary.

Luckily, the owner of Dovetails of Wimberley gave me the Casual Corners catalogue displaying the Spring line. I’m using it to help plan jewelry to go with the garments. Take a look at the beautiful mixture of colors shown in the catalogue.

Inspired by these photos, I began to play with the fiber I had on hand. This included yarns, ribbons and cording.

This gave me a better understanding of what colors coordinated and might work best in beads.

I’ve begun now to work with the beads matching these colors that I got from Magpie Gemstones (www.magpiegemstones.com). I can show you the one new bracelet below and the lapis necklace that just went into my etsy shop (www.dreamcatcherdesigns.etsy.com).

I used a new style armature for the bracelet and think it will be nice for those customers who have enjoyed the wave bracelets. This one is not as wide and displays more gemstones and pearls.

The lapis necklace is a piece that finally hatched. I made the pendant at least two months ago and then it sat and sat on the work table waiting for further inspiration. The blues from the Casual Corner catalogue finally led me to finish this piece. Just a few charoite beads help set off the color of the lapis and make it look more like Spring.

Today, the sun is out even though it is still cold outside. I guess I’ll have to continue to imagine the warmth of the Spring breezes. I think I’ll go put on a floppy hat to get in the right frame of mind.

Earrings, gifts, Metal Work, Pendants, Wire Work

Everything’s Comin’ Up . . .

January 8, 2011 Karen

. . . hearts! Many of us have struggled this week to get back in to some semblance of a routine post holiday. While pondering this difficulty, I realized that the stores are beginning to thinking Valentine’s Day. This always sneaks up on me because January is so full of family birthdays. Well, not this year! I’m going to be ready for Valentine’s Day.

I’ve spent some time the last several days making heart earrings. First they were quite plain, although I tried to give them slightly different shapes.

Next, I fancied a few pair by adding beads. Pearls, garnet chips and something red helped these get dressed up.

Finally, last night I got a bit carried away with the alcohol inks. (No! I wasn’t drinking them.) They adhere nicely to the copper and polka dots seemed to add a little twist here. I also did a pair with double hearts soldered to each other, but that photo refused to work. Now I’m thinking of all the shapes that could handle these polka dots in various colors. Let’s see there are butterflies and balls and . . .

Several of these could easily be turned into pendants or minified to become charms. I can see a necklace in particular out of the pair in the first picture that has pearl and garnet chips wired across the middle.

I enjoyed working these out in copper and am now considering going for it in sterling silver. We’ll just have to wait and see if anything hatches with that wire. Perhaps there’s more to come.

gifts, Metal Work, Necklaces, Pendants, Philosophy, Torch Work, Wire Work

Charming: Another Word for Sharing

December 20, 2010 Karen

I have previously mentioned a group with which I meet once a month. We get together and share ideas about working with wire and other materials for jewelry design. Although I’m not a “joiner”, I really enjoy this group and we’ve met together for over a year without any big arguments. That’s probably because we are a “faux” society. We have no rules, no officers, no dues and no big events to plan. This is probably why we get along so well.

We decided to exchange charms for Christmas. Rather than the usual exchange by designers where participants bring one thing and leave with someone else’s piece, we brought a charm for each person. I walked away with 12 different charms. Some were wired while others were soldered creating an array of very different looking objects. It was fun to see how each person approached the task of making charms in her own unique way.

I used the charms on the necklace shown here. They hang from copper tubing purchased at the hardware store. The charms are separated in a few places by larger copper tubing cut into small links. Without these pieces and the extra wire wrappings all the charms sat right on top of one another and refused to show their personality.

The tubing hangs from several types of fibers including yarn, silk cord and ribbon. I also attached a small copper chain. These hang down in the back where the closure is a handmade hook and oval. You may have seen something similar to this piece (minus the wonderful charms) in a recent beading magazine.

It’s fun to wear this piece and look down at the charms. I know who made each one and the piece reminds me that we are all so unique; yet, we can come together and make a beautiful whole.

After the experience of sharing with this group and creating this piece, I read about a group where each person contributed to necklaces that traveled around the world. The latest Belle Armoire Jewelry, Winter 2011 shares Around the World: A Necklace Round-Robin starting on page 24. I gleaned from the article that each participant started a necklace, creating several inches, and then mailed it to the next person. Individuals added specified lengths to each necklace when it arrived. The gals also kept a blog or journal about what they were adding and how it was created. In the end, each person received a necklace that had been “around the world” having traveled to several different countries. Pictures of these necklace show them to be as eclectic as mine above.

There are so many ways to share this time of year. Christmas, hopefully, brings out the best in all of us. The simple sharing of your talent is priceless. Whether you share a visual art form, the gift of gab, the sound of your music or a simple glow that makes others feel good, we all seem to feel better when we give and share.

Yesterday, as I left the nursing home where my mother resides, one of the aides waved at me and said he hoped I got everything I wanted for Christmas. You know, I couldn’t think of a thing I really wanted except healthy and happy friends and family. When I told him that, he knowingly smiled and understood. I wish the same for all of you.

Merry Christmas!

Necklaces, Pendants, Techniques, Torch Work, Wire Work

Swirling

December 5, 2010 Karen

I thought the wind would take all of our Fall leaves this week, but a few hardy souls remain. We’re not especially used to the blustering breezes nature just sent us, but the movement of the trees outside my studio window seemed to symbolize the rushing of people as they ready for the holidays. Of course the people are gathering as the trees are shedding. I hope the gathering brings good fortune to our local merchants.

I’ve been doing a bit of swirling myself this week – round and round and round. I saw a pendant made of three wire swirls in a catalogue my friend brought me. The swirls graduated from large to small in a straight line as they layered at the edge of one another. Of course, I couldn’t just make that one, mine would need to be different. Eventually, my pendant became a necklace composed of five circle swirls.

These swirls are soldered together and finished with a dark patina and a tumble. I liked this look and decided to enlarge it. Then I learned that often “less is more”. The larger necklace has the same number of swirls, but they have bigger diameters.

Before starting this piece, I didn’t realize how much more difficult it would be to keep the rounds held together. I kept adding solder to these circle hoping to connect the parts of each round. This, of course, led to solder showing on the front. Hmm . . . now what? The dark patina on the first piece did a nice job of covered the solder, but didn’t do as well on the larger piece. Also, the swirls continued to want to pull apart. Finally, I soldered a wire to the back of the necklace alleviating this problem.

You can see the solder still showing in this photo. Since it was also showing on the front of the main circle, I soldered a bezel and placed a charoite cab (from magpiegemstones.com) on the front.

Hurray! Following one last patina that required extra Q-tip applied liver of sulphur in spots to cover that stubborn solder, the piece went for a tumble and was complete. The last picture shows the different in size between the two necklaces. Both of these are fairly heavy and used a good deal of wire. This was fine in copper, but I think I will curtail my plans for making this in sterling silver until prices for this wire go down. Do you think that will ever happen? It’s possible that the only way I’ll see this in silver made from my studio is to let that solder flow on the top!

The wind blows gently today, but bodes of cooler South Texas weather. I wonder what ideas it will bring me this week.

Necklaces, Pendants, Torch Work, Wire Work

Crisscrossed

November 28, 2010 Karen

The internet’s free dictionary says that crisscrossed means “. . . To move back and forth through or over. . . “ It makes me think of a snake swimming across our pond in a serpentine pattern or Dixie, our blue heeler (cattle dog) crisscrossing behind a bunch of cows as she tries to get them to move in the right direction. She just gets one side of the bunch going and then has to cross behind them to the other side to get those stranglers moving. By going back and forth, the cows eventually go the right way.

There certainly are some beautiful jewelry designs that feature crisscrossing strands or wires. I worked with this idea and hope to be on the right track. I wanted the waves of these crisscrosses to be consistent, but found that especially difficult to construct. Although I measured carefully and worked with care, when I put the two separate pieces of wire together and curved them for the neck pieces, they became a bit whoppy jawed. (Is that an Oklahoma term?) Alas, I finally just went with that look and once again called the work “organic”. I never actually thought of sterling silver as organic, but today it is!

You can grasp the idea of the crisscrosses more easily by observing the following pictures. The close up of the silver shows that the main piece is attached to my hand made chain.

The copper wire in the other photo shows a better view of how the two pieces of molded wire crisscross together to form the neck wire.

I made the silver dangles from heavy gauge fine silver wire using the torch to fuse each ring. I then hammered and textured the pieces. I tried putting on more dangles, but three turned out to look the best.

The second necklace shown here displays larger crisscrosses. It wasn’t what I envisioned, but I do like the shape. The dangles on this piece have either blue or red copper patinas made with household products. I’m still debating whether to leave them on or take them off as the piece looks fine without them. What do you think?

Crisscrosses have many possibilities for use in designs and they present me with a nice new challenge not only for necklaces, but also earrings, bracelets and pendant wrappings. Look for more of this design in another entry. If you don’t see any in a few weeks, you’ll know they just didn’t work out. I believe it’s OK to take a challenge and fail. You just have to try!

Metal Work, Necklaces, Pendants, Philosophy, Torch Work, Wire Work

Like a White Tornado

November 25, 2010 Karen

Like many of you have probably been doing, I’ve been racing around the last few days cleaning my house to prepare for company. The phrase “like a white tornado” kept creeping into my thoughts only I seemed to be moving like a GREY tornado. My interpretation of that means an older slower version of a cleaning wonder. The more I thought about it, the more I wondered if a “white” tornado is racist. Go ahead and laugh, strange things enter my head when I’m inhaling those cleaning products.

I seized the opportunity to sit down at the computer and prove how silly my question really was. The initial information provided online was about a cleaning product, Ajax, and a slogan used to advertise it in 1972. No wonder I thought about this phrase;, that’s when my son was born and I was “into” cleaning. This link should take you to a video of one of the commercials used for Ajax. http://www.youtube.com/watch?v=Vurmg1yffg The commercial could lead you to believe that the product makes cleaning go faster. That’s when, at the rate I was moving, I was sure I was a grey tornado this week.

I was still curious about white tornadoes and found more information which might have produced the idea behind the Ajax slogan. I learned about white tornadoes from http://www.chaseday.com/tornadoes.htm : A tornado can appear white when it is “front lit” by the sun. Since most of them are photographed with the sun behind them, they look black or dark grey. (Perhaps being a grey tornado isn’t that bad.) You may also see a white cloud of water rotating into a froth at the base of the tornado. I’m sure you’ve really been wondering about that for quite a while.

The picture at the top shows my version of what might be left behind by a white tornado. The “ditch” in it reminds me of what I was taught as a girl in tornado alley Oklahoma. If you are out when you see a tornado coming and you can’t get to shelter, lie down as flat as possible in the ditch beside the road. I’m thankful I never had to do that.

I’m also thankful for readers like you who go all the way to the end of my entries, even those that are silly like this one. Happy Thanksgiving!

Bezels, Metal Work, Necklaces, Pendants, selling, Wire Work

Who IS the Customer?

October 20, 2010 Karen

Many articles that discuss getting started selling things advise us to question “who is the customer?” Unfortunately for me, I’ve often ignored that question because the boutiques I serve are so varied. Magnify that by the fact that each store’s customers are pretty varied as well and the equation about the customer is pretty overwhelming. Yet, this week I’ve found that I really needed to stop and ask that question as I prepared to call on a particular boutique. This new boutique caters to the younger set and in the past the owner has suggested I needed some pieces made with chain or leather ropes. My more heavily beaded pieces just weren’t what she needed. One day, while in this store, a girl about high school age came in and tried on clothes. As I watched her, I finally “got it” and realized I did need some pieces with leather, chain and ribbon.

I felt this wasn’t my style initially, but as I’ve made a valid attempt at it this week, I’m excited to be trying something new. It may allow me to expand the options for all my customers.

The first two pictures show necklaces made with a good deal of chain. The mahogany bead piece has handmade copper chain in the back with handmade copper jump ring dangles in the front. The second piece is similar in style, but utilized both hand made copper chain and plated silver chain. I added beads to every other jump ring in the front.

I think these pieces turned out OK, because they have both sold before I even call on the customer for whom I made them.

I also experimented with ribbon and leather cord for a few pieces. I know designers often work with ribbon, but it was tedious for me. My thumbs are quite ruff from working with metal and wire, so the ribbon kept sticking to them and raveling. Fray check for ribbon ends has now become my friend.

The necklace on the right sports a green amber cabachon wrapped with dull aluminum wire. It hangs from a dyed silk cord I purchased at a bead show. The organza ribbon bow can be removed.

I made several other pieces on the leather cord which are not pictured here and hope to also work with the black velvet ribbon I purchased.

I do not yet know if the customer for which I designed these pieces will like them, but I do know that thinking specifically about “who” the customer is influenced what I designed. I’ve found this to be true before. Once, I was commissioned to create a pin for someone whose bout with cancer was concluding. As I thought about the patient, the pin just seemed to make itself. Another time, a western wear store that usually sells sterling silver wanted to try some copper and that influenced the design of the piece shown here.

So, “who is the customer?” Apparently, my customer is the boutique for whom I am visiting next. Today while scheduling my next trip to a specific Texas Hill Country shop, the owner said “you know what I like”. Yes, I do and in the next weeks I’ll be designing specifically with her in mind.

Know your customer. This can open some avenues of design that I never imagined. But sometimes, I want to remember that I am the customer too and create just exactly what I LIKE!

Metal Work, Necklaces, Pendants, Philosophy, selling, Wire Work

Walking Jewelry

October 1, 2010 Karen 2 Comments

We attended a small political “coffee” a few nights ago. I really try to stay away from politics having had enough of it in my gifted and talented education work, but I wasn’t given much choice for this one. When we arrived, the first thing that caught my eye was a piece of jewelry walking by. I tried not to accost the woman wearing it, but finally got close enough to determine that it was one of my sets. You’ve seen a picture here in an older blog. It was made of 5 round copper discs and a handmade chain. It also had matching round disc earrings. I was really tickled to see it and learned that the person’s husband purchased it at one of the stores for her birthday. I was so pleased, you’d have thought I just laid an egg. . . . I think this was the first time I’d seen one of my pieces on someone that I had never met. It was neat! Since I only work with one store here in the town where I live, it’s pretty unlikely to encounter my own jewelry on someone else. I don’t see too many women with jewelry on here at the ranch!

The woman wearing my jewelry didn’t know who had made it. This made me think about branding (not the type with fire and iron or as we do it here-dry ice, alcohol and iron) and how I might do a better job of labeling my work. Most of the store owners tell the customers the story behind the jewelry, but once a piece leaves the store I imagine this is forgotten. Therefore, I’m considering investing in tiny stamped metal jewelry tags to go on all the pieces. I’ve looked at this before and felt it was too time consuming, but now I’m thinking about it again. Do any of you other designers do this? I’m not as concerned about pieces such as the one pictured below. Those that are strung are not as important to me for branding as the more unique metal pieces, although the one below is pretty special.

[ labradorite, tiger eye and Chinese picture jasper with seed beads– all from Magpie Gemstones www.magpiegemstones.com) ]

Then again, the metal pieces are perhaps occasionally too unusual for me to want them to wear my brand. I’m not sure how I’m going to complete the one pictured here, but I like it! It’s one of those pieces that keeps evolving. Originally, I was soldering some silver wire to the diamond shaped copper piece. Before I could move the torch, I was watching the wire melt and spread on the copper creating an unusual metal effect. It sat on the workbench for weeks before I tried a little fold forming. Then it sat a bit longer. Finally, this week, I added the cab and copper and silver wires. If I ever complete the piece, it will certainly have a story behind it.

Why is it important for people to know who made their jewelry? There are, of course, many reasons but my primary business thought today is so they will know what “brand” to look for if they like the first purchase and want something else. There is also the ego angle, but I’m not going to make any money based on that one.

I think I need to get out more and conduct surveillance to try to capture a peek at my designs walking by. That way I won’t be quite so surprised when I meet one face to face. If I can put a little Dreamcatcher Designs tag on the pieces, the person wearing one won’t be so surprised when I say hello.

booches, Creativity, Metal Work, Pendants, Philosophy, Techniques, Wire Work

Children and Problem-Solving

September 22, 2010 Karen 2 Comments

I was somewhat bothered by a short five paragraphs in the Parade section of last Sunday’s newspaper. I waited several days to comment in order to see if my thoughts changed. They did not. The title of the article was “Teach Problem-solving to Prevent Bullying.” It was based on research conducted through Louisiana State University and the University of California the results of which indicated that those youngsters who have trouble with solving problems are more at risk of being bullied.

Bullying has also been on the television news lately as a result of the school bus incident during which a child was bullied and her father later threatened her attackers. This child, who is handicapped, would probably fit the profile suggested in the abovementioned research.

It wasn’t, however, my concern about the relationship of bullying and lack of problem solving skill that concerned me about the article. I believe that is a good point. It was the fact that the article focused solely on how games could help develop problem solving skills. I was pleased that the author mentioned checkers and chess since these do require rational strategic thinking. We might add to that dominos, chicken feet (played with dominos) and a number of other similar games that require thinking. None of these rely solely on chance like so many of the simple spinner type games.

I wanted the article to also talk about the place of art in the development of problem solving skills. I believe that almost any form of art requires this type of thinking. Even when the child is merely drawing a picture, he/she must figures out and plan where things go on the page, what colors work well and often what to do when a mistake occurs. Consider why a cardboard box is so often a child’s favorite toy. The child must solve the problem of how to create something out of very little. Also, if the art form selected requires tools or supplies, a young artist may need to solve the problem of what to do with limited supplies or lack of tools.

Many of of schools have no art classes other than what the classroom teacher might squeeze in. With extremely tight budgets most of the “frills” of education are gone. I have heard parents at school board meetings plead for retention of arts programs. Among other things, their rational is often based on the value of art (including music) in bringing joy and self confidence to the child. Should we instead be discussing the higher level thinking and problem solving skills that the arts teach our children?

My most recent example of difficult problem solving in art comes from the angels I first mentioned on September 11. I have continued to work with them for days trying to solve the problem of their crooked halos and messy backs covered with too much solder. Finally, after considerable work (problem solving) I completed some angels that are working. The halo now goes around the angel rather than just in front and the solder is hidden between the body and the wings.I’ve also solved the problem of how to display/market them in boxes with a small poem. Doesn’t everyone need a guardian angel? (www.dreamcatcherdesigns.etsy.com ) I wish I could send one to each child who is forced to endure bullying.

This problem solving adventure is only one of so many that we find in art. Does that mean I’m ready for those big bullies? Hmm . . . I’d still just as soon they stayed away from me and from everyone else. Maybe the bullies need the opportunity to learn problem solving skills in order to direct their misguided energy down a better path.

Unique jewelry creatively made with care at The Ranch in San Marcos, Texas