Category Archives: Techniques

Pendants, Philosophy, Techniques

Sinful Hammering

4 Comments

Last night I picked up my largest hammer and smashed the beads!

It took a good deal of nerve and went against my usual routine of caring for the beads, but I did it anyway. It was the right thing to do.

I decided my relationship with those beads was an analogy to people relationships. Most of the time, you really nurture them, but occasionally, things just need a good whack, figuratively speaking. ( I don’t believe in violence.)

A customer mentioned that she was hunting a large black cross and, looking at all my earth colored offerings, said that she really liked burgundy, black and silver. Hmm . . . I guess my carnelian, turquoise and copper didn’t quite work. Figuring that if this person spoke up about wanting different colors there were probably others who were too timid to tell me, I launched a search to fill her desires.

I located a big silver plated cross at Paper Bear in San Marcos. It is the type with a reservoir for filling (a smaller one is pictured here). The problem became how to fill it. It tried various beads, chips, etc., but came up a loser. Finally, in desperation I saw my hammer and took action. First I tried to hammer black obsidian. I think the beads broke, but they went scurrying off the bench block so quickly, disappearing into the carpet, that I really can’t say how they turned out. Next, I tried hammering black onyx. Starting gently, not wanting to lose onyx like I did obsidian, I whacked the bead. Nothing . . . adding a bit more umph, I whacked again . . . nothing. I do believe that onyx is tougher than obsidian. cross empty

Now what? I hunted for black chips appropriate for smashing and finding none, I grabbed some Miyuki 4 mm cubes. I put them in a plastic sack and hammered. Those little guys are stronger than you think and punched holes in my sack before morphing into the small powder-like substance I wanted. Three punctured sacks later, I had the material for filling the cross. As the picture shows, the effect is rather unusual, but it certainly was a good deal of trouble. The cross will hang from a strand composed of sterling silver spacers, black onyx rounds and kiwi from Magpie Gemstones. I’m also thinking that the next time I decide to hammer beads, I’ll use the less expensive variety and a stronger sack.

black cross

Here’s the question. Is it a sin to hammer your beads? Someone or something worked hard to get them into their purchased shape and with a wham of the hammer, it can be gone.

I think it’s OK. I have a feeling there will be many sinners in bead heaven. Perhaps some will have done far worse things than hammering the beads. Here’s my philosophy . . . it’s better to take your frustrations out on your beads than on your family and friends. So, go ahead and WHACK!

Bracelets, Metal Work, Necklaces, Pendants, Techniques, Wire Work

Mixed Metal Jewelry

2 Comments

When I first saw mixed metal designs advertised in the magazines and books, I didn’t think I liked them. Yet, I’ve tried to keep an open mind about it and the idea of putting copper, brass and silver together is growing on me. I’ve had a great time making mixed metal earrings as shown in earlier posts. I’ve made about 10 more pair this week which incorporate not only the three metals mentions above, but also leather and assorted findings from Home Depot. I think the people who work at that store were a bit amused when this woman got excited about discoveries made in the assorted washers isle. I found some great washers in aluminum (I think) that look like tiny cog wheels.

I’ve had Wrap, Stitch, Fold & Rivet by Mary Hettmansberger since my son gave it to me as a gift last year. This week, I tried the pendant on the cover which I made with adjustments for my materials. mixed pendant I added a couple of mother of pearl rectangles to calm the bright brass on the pendant. Since I didn’t have any silver sheet metal, I used a bit of hammered wire. The heavy copper washer on the back that helps keep the pendant from flipping over is not shown. I first tried this pendant on a silver chain, but thought it was too much and over powered the pendant. I like the leather better. I’ve worn this piece a couple of times this week, but had only one comment from passers by. I’m perplexed as to whether it wasn’t noticed or whether people didn’t like it. Perhaps it requires a different venue and deserves another outing.

I also made a mixed metal bracelet and am happy with it. mixed metal brace It hasn’t been “out” yet. I have a feeling it will be more popular than the pendant since woman really like their gemstones. I may try adding a gemstone to the next mixed metal pendant to see if that improves its popularity. Sometimes, a designer just needs to realize that a piece may not have mass appeal, but be looking for that one person who appreciates its uniqueness. hmm . . . this sounds like marriage!

Bracelets, Techniques

The Seedier Side

I haven’t done as much seed beading lately as I used to, but Friday, as I walked by a tray of turquoise on my table, a bead whistled my name. I picked it up and felt it should become a Fall bracelet. In order to make the freeform peyote used with this stone more interesting, I started in the middle with the stone. Usually, I start at one end and work toward the focal. I enjoyed this technique and will try it again soon. gturq The pictures shown really don’t do the stone justice. I would take another photo, but I had it with me and a store purchased it. Don’t you just love a fast turn around?

The problem with quick sales, is that I sometimes jump to erroneous conclusions. I begin to think the design or color combination is really going to catch on and I repeat it too many times. Then I realize that the initial sale just happened to go to the one person who liked it rather than selling because it was such a winner. Alas, how do we know a winner from a one-timer? turqbrac2 Lately, I’ve been trying not to go all out when something sells quickly. Should I make another similar piece like this bracelet? Of Course! Shall I make 14 of them? Of Course NOT! It’s such a shame that I must use common sense even when I’m creating. Bummer!

Necklaces, Pendants, Techniques, Wire Work

Out on a Limb

birdonawire

Today’s photo shows another pin turned pendant from the same family as the dog shown in an earlier post. Although these pins, given to me for creation by the owner of Dovetails of Wimberley, presented considerable challenge, I’m pleased to understand how to alter a pin and will be more open minded about the pendant possibilities that other pins offer. In case you didn’t read the earlier post, the process involves making and gluing a wire finding to the back of the pin which turns it into a pendant.  Thankfully, I’m no longer “out on a limb” regarding this technique.

Color, Necklaces, Techniques, vendors

Summer Colors?

peyote brown

Finished! I’ve been working on this piece for several days and it finally came together this afternoon. It was ordered by a store in Fredericksburg that sold one in similar colors earlier this summer. I’ve always thought of the browns and blacks for Fall, but mixed with the light teal and a touch of yellow and gold, this seems to work for summer. This peyote necklace has a nice Turquoise Jasper cabachon (Magpie Gemstones) in the center and I backed this stone with ultrasuede. I also added an extra row of beads completely around the neckline at a right angle to the peyote stitches. This should help the piece keep it’s shape while it remains supple and comfortable. The piece is stitched with 6 lb test Fireline fishing line.

It was amusing that as I was finishing this piece, the ping of my computer alerted me that I had received an email. It was from Barry at Caravan Beads. This is my main source for wholesale seed beads (Miyuki) and the vendor from whom I purchased the beads for the above necklace. He was offering to trade the cloudy, rainy northern weather in his neck of the woods for some sunshine. I offered to take the deal and said I would throw in some feral hogs from my pasture to boot. He replied that he wanted the weather, but not the hogs. While both he and a store I deal with in Maine were sharing that customers were hard to come by due to their too-wet summer weather. The merchants I talked with close to San Marcos and the Hill Country had much the same concerns with our too hot summer weather. Either way, I guess it’s summer and we’re all dealing with one thing or another.

Just as I’ve had to keep an open mind about those dark colors and their appropriateness for summer, I’ve got to keep an open mind about the weather. When it changes (for the better) people will be ready to get out and will definitely need to shop. I plan to have plenty of options for them to see. As I’ve heard Suzie from Aunties Beads say “you’ve got to have product!”

Metal Work, Necklaces, Pendants, Techniques, vendors

New Vendor Find

1 Comment

cross

I enjoyed attending the Bead Jamboree in San Antonio last weekend. Being a bit of a home body, I tried to talk myself out of going several times, but finally went ahead. I currently purchase most everything from www.magpiegemstones.com and really didn’t need to go to the show. Yet, I wanted to support my friends who were vending and teaching at this venue.

Luckily, I met a “new-to-me” vendor and enjoyed exploring the possibilities her merchandise provided. (www.acharmcollection.com) The cross necklace at the left resulted from the use of her metal products and I have several other pieces that will evolve from visiting this vendor. She sells metal charms, etc. such as those shown in the picture below. While it may not be a new technique, she talked with me about layering gemstones on her pieces. Prices were quite reasonable and I’m trying some of her ideas. The first few customers who saw this cross wanted it and I’m hoping the designs will be pleasing.  findings

Economically speaking, the price point for these plated silver and gemstone pieces will be very affordable for customers. While I didn’t use expensive turquoise in the necklace shown, it is still pretty and Mother says it will be meaningful to those who see it. (She was sure that I had made it for her . . . hint, hint.)

I’m pleased to find another helpful, pleasant vendor, but I still want to support those suppliers who have been good to me. This “new find” simply adds one more possibility to design options.

Creativity, Necklaces, Pendants, Techniques, Wire Work

Look for Connections

I’m still “gone to the dogs” today. doggie Dovetails sent the dog in the picture home with me to use for a necklace. The dog is a pin and we thought it might be cute in another design. Sherry, from my wire work group, showed me how to create a wire coil with loops that will fit around the pin for attaching it. Thanks Sherry!

After finishing the doggie necklace, complete with handmade copper wire dog bones, I donned it to be sure it would hang correctly. OOPS! That silly little dog wanted to flip over and lay on it’s stomach. Now What? 

I had been to the Bead Jamboree in San Antonio and talked with a vendor selling plated charms, etc. She showed me how she glued filigrees on to the back of the charms that didn’t have holes in order to make a hanger. I more or less disregarded her suggestion thinking I would just drill a hole for the hangers I needed. But, when that puppy did its flip, I realized that her idea might be golden. back dog Using E 6000 glue, I attached the dog pin to the handmade filigree and “hurray” now he’s a dog on his feet.

While I can’t proclaim that this is a major “aha” and some would say it was obvious all along, I do know that we must remain open to connections. Although I often disregard a technique someone it showing me, I do try to pay attention and store it in the back of my mind. You just never know when someone’s idea can be adapted to your own problem.

I guess that’s really what listening is all about – making connections for the now or for the future. Part of listening is honoring the person who is talking by giving him or her your attention. I’ve always thought it was my job to applaud the person for their discovery even if I didn’t value it for myself. Yet, someone else’s idea may later combine with your own adaptation when you least expect it.

Just think about the Wright Brothers who could fly their plane, but couldn’t make it turn. Watching an eagle tip its wings one day while making a turn is said to have provided them with the idea for making that first airplane turn. I’m sure glad they were paying attention or we all might be flying straight into mountains were it not for that great connection.

I’m looking forward to using this technique again on the bird pin that’s next on the queue. We’ll see what hatches.

By the way, you’ll soon find these necklaces at Dovetail of Wimberley just waiting to be adopted.

Creativity, Necklaces, Techniques, Wire Work

How Many Ways?

Working on another chain project today, I kept asking myself “how many ways” can you curl the wire to make links? This phrase came from my mouth hundreds of times as a teacher, professor, and consultant trying to get others to think creatively. The question is basic to both fluent and flexible thinking. When working on creative fluency, we try to come up with as many answers as possible to the problem posed, in this case the straight piece of wire that needed to curl. During the fluency stage of problem solving, it doesn’t matter whether or not the posed solution is plausible or far fetched. The goal is simply to produce as many ideas as we can. Since I didn’t want my chain necklace to look uniform or to have a pattern, I continually asked how many ways I could produce the links. littlebirdlink Once I had completed the links, I then asked which ones could actually be used and eliminated the others. This is one of the judgment stages of problem solving when convergent thinking is required. If we judge too soon, however, often good adaptable ideas are thrown out without being given a chance to develop.

The top link in this first photo is the regular S shape common in wire work. The middle link ended as an S, but began in another shape and the bird shape at the end happened accidentally. I used variations of these shapes through the rest of the necklace as shown in the picture of the entire necklace. I needed some good flexible thinkinglittlebird to make variations in the bird shape and you can see that some have upturned tail feathers while others are plain. The beads on this piece are also interesting. The vendor who sold them to me said they were made by Monks. They appear to be some type of clay.

 

bigbird

The lower picture shows a different necklace with more variations on the shapes of the links. It has various shaped coral, tiger eye, or carnelian gemstones in some of the links. This necklace is made of heavier, recycled wire while the necklace in the upper pictures is made of 18 and 20 gauge wire. If you make any of these, I suggest doing it in stages. I made most of the links in one day and my sore hands are not at all happy. That said, the fluency stage should happen all at once due to the natural production of ideas. Usually, there is a burst of ideas in the beginning (often the most common solutions), followed by a brief slow down and then the production of the most unique ideas. You wouldn’t want to quit right before those great ideas hatch!

Philosophy, Techniques, Wire Work

Awakening Beginner’s Mind


The title for today’s entry is not originally mine. It comes from a chapter in The Mindful Woman by Thoele. She discusses how healthy children demonstrate excitement and take the time to be truly present in each new experience. As adults, it seems the beginner’s mind leaves us in the midst of multitasking, tedium, and repetitive living. I wonder if we could change that?

While many of us find our beginner’s mind with brand new experiences, I was reminded yesterday of the awakening when adding a new dimension to a previously learned task. My friend was here (thanks Szarka) and helped me practice making better wrapped wire loops for my jewelry. If you are a wire worker, you’re probably laughing and wondering how this simple task could help garner beginner’s mind. Let me explain. My wire loops have been terrible for years. Since I didn’t know any better, I wasn’t concerned until my friend began inspecting things (in a kind way of course). Then I realized there must be more than crooked misshaped loops and scratchy ends. Rather than feeling like a failure after my friend helped me, I tackled those loops with enthusiasm. As long as I looked for improvement rather than mistakes, my beginner’s mind was active and I was enthusiastic. I can’t say that the picture herein shows perfect loops, but it does show improved loops. Luckily, I need to make many more loops to complete this necklace; so I’ll get plenty of practice. While I used to think that I had to learn a completely new skill to engage my beginner’s mind, thankfully, I now realize that loopsisn’t always necessary.

Drawing upon what I know about brain development, each person’s understanding of how to awaken their own beginner’s mind may be more important than we realize. Many researchers tell us that the dendrites in the brain which can branch to form new neural connections branch solely when we are involved with new, active, challenging learning in a risk free environment. Doesn’t that occur when we move forward from experiences in our beginner’s mind. In my case, beginning and branching dendrites also seems to bring joy.

Consider the difference in those who are elderly. Some are still pleased with life and interested in reading, working puzzles, playing games, etc. Others, however, are no longer engaged with life. Some of this variance results from health and/or emotional issues, but much of it is a matter of stimulation and brain engagement. My Mother, for example, once despondent, confused, and uninterested in life, is now a bridge-playing, piano player who reads constantly and is ready to get a move on at 88 years of age. The difference came as she left a solitary home life, moved to a nursing home and became stimulated and challenged along with others her age.

We are told that our dendrites can continue to branch into our 80s and 90s. Hooray! There’s still time to make those connections. I believe I’ll continue to seek activities that engage my beginner’s mind and hope for the best!

Metal Work, Necklaces, Pendants, Philosophy, Techniques, Wire Work

Work Hardened

 hardened

As I learn about metal and wire work, the term work hardened arises often. It’s the idea of manipulating and/or hammering a piece until is becomes more hardened or brittle. When a piece is hardened just right, it helps it retain its shape and stability. I’ve learned the hard way that too much manipulation of a piece of wire makes it more difficult to bend. This is not unlike over doing when we exercise our bodies. I’m also learning that I shouldn’t hammer a piece too early in the design process, but rather wait until I have the shape I want. The best part is that I do have an excuse for pounding something. It’s great to stop in the middle of a frustrating day and just whack away!

This process is not unlike what is currently occurring here at the ranch. It’s been an exciting couple of weeks at Dreamcatcher. Each May, our bulls arrive back home from their feed test after spending the winter months at another location. We send them away as big calves and they arrive back as big bulls. I enjoy sitting at the very top of a fence watching these magnificent beasts come off the truck and back into our pasture. I never cease to be shocked at the change they make in just a few short months. The goal of the feed test is for the bulls to eat and grow; therefore they mainly just stand around and eat from the bunks. We can’t sell them to our customers at this point because they would melt if they had to work. These 110+ bulls get a rude awakening when they come back home. While they have delicious grass to eat in the pasture at the bottom of a hill, their water is at the top of that rocky hill. Since they’ve just been standing on flat ground eating during the winter, the climb to the top of that hill and back down is monumental, but important.

work hard bulls

Through this exercise, the bull’s hooves become hardened and their bodies become muscular. While the climb by the complaining bulls is currently precipitated by a barking, nipping blue heeler, a honking jeep and yelling people, in a few short weeks it will be easy and they will go willingly. As they become work hardened, they will be ready to serve our customers.

While there probably should be a third picture to this blog, I’ll refrain from inserting it. People seem to also get work hardened in both positive and negative ways. Are the wrinkles on my face a result of this process? Has the optimism we became accustomed to during prosperous economic times been work hardened with the current economic drop? If the analogy derived from both the metal work and the conditioning by design of our bulls applies to our economy, becoming work hardened could be a good thing. As with the wire work, will the resulting economy be more stable? Will we take more time to make important decisions? As with the bulls, will becoming work hardened make us better prepared for the future? Let’s just hope so.