Category Archives: Pendants

Bracelets, Metal Work, Necklaces, Pendants, Techniques

Rivet . . . Rivet . . .

March 21, 2010 Karen

I’ve been riveting all weekend and I’m still not very good at it. Intrigued by the look of my new bracelet design, I felt that surely if I made several of them I would get faster at riveting. Alas, this has not yet been the case. I guess this would be a good time to also work on patience. Each piece of ornamentation on these bracelets is attached with wire rivets and I do like the way they look.

The metal for the top and the bottom bracelets was “touched by fire” to give it color variation while the middle bracelet’s rectangular shapes were not treated with the torch.

Some of the difficulty in riveting occurs when the circular pieces are domed. I’m still not sure whether to dome and then rivet or vice versa. Either way is a little tricky.

I’m also trying some pendants using the same technique. Although it’s difficult to see in the photo below, the pieces of the necklace pendant say faith, hope and love. I was trying to capture the look of a mobile when I selected the double hanger for this pendant.

I was working on the bird pendant at our wire workers meet up and exclaimed out loud “I can’t get this bird to rivet!” The clever lady next to me said, “it’s not supposed to. It isn’t a frog.” Eventually, the bird DID rivet.

I plan to keep practicing. Keep your fingers crossed that my riveting skills improve. I think it would be pretty tacky to have to resort to glue!

Balance, Earrings, Necklaces, Pendants, Wire Work

Celtic Design

January 22, 2010 Karen

Most of my designs are composed of freeform, asymmetrical or random patterns. I’ve favored this style for so long that I wondered if I could actually follow a pattern. Even though randomness is not always a bad thing, I still remember what happened when I let the children in my elementary classes “do their own thing”. It was very difficult to get them back to the routine. Therefore, I usually saved this freedom for the end of the day and then quickly sent them home to their mothers. By the next morning, they were usually ready to get back to the routine.

I observed this same phenomenon with the graduate students that I taught. One evening, in an early childhood class, I let them experiment with drops of colored water on waxed paper. Each student had a straw and they were to observe the movement of the drops blown across the paper as well as the manner in which they combined. The drops move like liquid mercury. I thought we had put everything away and started my lecture only to glance up and note two women in the back of the room racing their water drops across the waxed paper as they blew through the straws. I bent down and met them at eye level just as the first water drop crossed the finish line. I was laughing so hard inside that it was hard to be stern. We never did quite return to full intellectual seriousness during that class.

With the knowledge of how freedom can trump rigor, I was concerned about following the Celtic knot pattern. Thankfully, I don’t have to go somewhere to get straightened out. I can still create a balanced pattern. The necklace shown here, composed of Celtic knots IS balanced. I have several acquaintances who really like Celtic knots, but I’ve wondered about their meaning. I retrieved the following information from Wikipedia, the free encyclopedia at http://en.wikipedia.org/wiki/Celtic_knot

“Celtic knots are a variety of (mostly endless) knots and stylized graphical representations of knots used for decoration, adopted by the ancient Celts. These knots are most known for their adaptation for use in the ornamentation of Christian monuments and manuscripts . . . “

This didn’t tell me much more than I knew, but the Christian connection is interesting. I like these knots because they are seeming endlessness. I had a great deal of trouble figuring out the pendant knot. The others on the necklace chain are not endless. Each is made of two separate figure eights that are brought together with jump rings on each end. This is more easily observed on the earrings.

This set has found a temporary home at Dovetails of Wimberley and if folks like it, the store owner suggested we make it in silver. We shall see whether or not I can replicate that knot.

You know, following a pattern wasn’t too bad. It was actually quite calming to know exactly what should come next in the design. (But I wouldn’t want to do this all the time!)

Color, Metal Work, Necklaces, Pendants, Techniques, Wire Work

New Pieces

January 19, 2010 Karen

I’m short on time and short on words today, but wanted to put up some pictures of completed necklaces. The copper pendant with the sterling silver cross was born of my efforts to put more movement into pieces. The cross hangs from a hammered figure 8 piece of wire that allows it to swing inside the copper piece. The bumps on the outer edge of the copper were made with my doming set.

The butterfly pendant is atop a domed and stamped piece of copper. I used the torch on the butterfly to give it a bit of color.

This piece is made of ruby zoisite (large chips) and kiwi. I used plated silver beads and added some blue rounds to the necklace. I regret the color doesn’t show very well in the photo

This piece took several days because I didn’t know what I was doing. I wanted to do a layered pendant and use rivets, but in the end I just have layers and fake rivets. The oval is copper and the diamond shape is brass that I stamped with Ranger brand alcohol ink to add a bit of color.

The seed bead pendant has been close to completion for quite a while. Now I can check it off the list of UFOs (unfinished objects. . . check . . . Hurray!)

Earrings, Necklaces, Pendants, Wire Work

Swingers

January 13, 2010 Karen

I’m NOT one, but I do like jewelry in motion. I also like designs that have dimension. Following the post here on January 2, I took the bracelet shown wrapped around the pasta can into one of the stores where I market my designs. (I took it sans pasta can!) Although it didn’t have stones on it yet, the owner especially liked the depth to the bracelet armature.

Since then, I’ve been playing with how depth might be suitably worked into various designs. I made several “something or others” out of wire and they sat on the work table for 10 days. Finally, some of these came together as swingers last night. It’s difficult to see the depth on the necklace pendant, but there is about 3/4 of an inch between the front and the back swirls. The stone dangle wraps around both the pendant swirl and the necklace allowing it to swing.

It’s a bit easier to see this on the earrings which, by the way, didn’t want to quit swinging long enough to have their picture taken.

Whether these are winners or not, they were certainly perplexing as a design project and will, hopefully, spawn other dimensional ideas.

Now, I wonder about that other kind of SWINGER . . . sorry, I can’t write about a topic that I know nothing about. You’re on your own with that one.

Necklaces, Pendants, Philosophy, Wire Work

Little Things . . .

December 15, 2009 Karen

. . . Mean A Lot . . . or so the song goes. I had forgotten some of the words to this piece and looked them up on the internet. That’s where I found a vocal rendition by Kitty Kallen which you can hear at the following address: www.youtube.com/watch?v=501bwTRmkYY Some days I might think the song a bit sappy, but today it’s a reminder to quit rushing around and try to be nice.

This song has been tuning its way around my head for about a week. I first thought of it when someone asked me to make some necklaces for little girls – little things. I enjoyed making those and then I realized that most of the jewelry pieces I’ve made lately are fairly large. Where are the little things?

With that in mind, I dove right in and designed some different pieces. First, I tried to picture the women I know who wear smaller or lighter weight necklaces. I thought about the particular style of each and went from there. I was pleased to find a heart in my drawer of turquoise and accented the necklace for it with black onyx and sterling silver. It was looking awfully traditional until I added the donut achieving an asymmetrical look.

The fossil in the next piece is an unusual gray color; therefore I used hematite and pearls with it.

In the brown necklace, I tried to get a semi-chunky look in a small, short necklace. I wanted it to be completely eclectic and that proved to be quite a chore. I didn’t have quite enough beads of any one kind and must have restrung this one five or six times.

The fourth piece is my favorite. Again, I wanted something that was a mixture of beads and this one also was restrung numerous times. I particularly like this little pendant and the Celtic bead that adorns it. I’ve just started trying to work with sterling silver wire and think I’m going to like it.

There’s a line in the song that says . . .”never cared much for diamonds and pearls” . . . “little things mean a lot”. . . While the connotation has to do with sentimental demonstrations of caring such as “touch(ing) my hair as you pass my chair” and “say(ing) I look nice when I’m not” . . . , let’s hope someone likes my “little” things. In the mean time, I’m going to try to remember the small gestures I can make that will be meaningful to others.

Pendants, Philosophy, Techniques

Sinful Hammering

December 3, 2009 Karen 4 Comments

Last night I picked up my largest hammer and smashed the beads!

It took a good deal of nerve and went against my usual routine of caring for the beads, but I did it anyway. It was the right thing to do.

I decided my relationship with those beads was an analogy to people relationships. Most of the time, you really nurture them, but occasionally, things just need a good whack, figuratively speaking. ( I don’t believe in violence.)

A customer mentioned that she was hunting a large black cross and, looking at all my earth colored offerings, said that she really liked burgundy, black and silver. Hmm . . . I guess my carnelian, turquoise and copper didn’t quite work. Figuring that if this person spoke up about wanting different colors there were probably others who were too timid to tell me, I launched a search to fill her desires.

I located a big silver plated cross at Paper Bear in San Marcos. It is the type with a reservoir for filling (a smaller one is pictured here). The problem became how to fill it. It tried various beads, chips, etc., but came up a loser. Finally, in desperation I saw my hammer and took action. First I tried to hammer black obsidian. I think the beads broke, but they went scurrying off the bench block so quickly, disappearing into the carpet, that I really can’t say how they turned out. Next, I tried hammering black onyx. Starting gently, not wanting to lose onyx like I did obsidian, I whacked the bead. Nothing . . . adding a bit more umph, I whacked again . . . nothing. I do believe that onyx is tougher than obsidian.

Now what? I hunted for black chips appropriate for smashing and finding none, I grabbed some Miyuki 4 mm cubes. I put them in a plastic sack and hammered. Those little guys are stronger than you think and punched holes in my sack before morphing into the small powder-like substance I wanted. Three punctured sacks later, I had the material for filling the cross. As the picture shows, the effect is rather unusual, but it certainly was a good deal of trouble. The cross will hang from a strand composed of sterling silver spacers, black onyx rounds and kiwi from Magpie Gemstones. I’m also thinking that the next time I decide to hammer beads, I’ll use the less expensive variety and a stronger sack.

Here’s the question. Is it a sin to hammer your beads? Someone or something worked hard to get them into their purchased shape and with a wham of the hammer, it can be gone.

I think it’s OK. I have a feeling there will be many sinners in bead heaven. Perhaps some will have done far worse things than hammering the beads. Here’s my philosophy . . . it’s better to take your frustrations out on your beads than on your family and friends. So, go ahead and WHACK!

Color, Metal Work, Necklaces, Pendants

Back to the Blog

November 21, 2009 Karen 2 Comments

Many weeks have elapsed since I last wrote and it’s time to get back to the blog. We held our annual cattle sale here at the end of October and it has taken this long to get a good grasp on all the shipping, registration transfers, etc. With only a few more to complete, I can see the proverbial light at the end of the barn.

We enjoyed having our family with us to help at the sale. Grandson Gabriel certainly encouraged us to keep the proper perspective letting us know when we needed to eat and sleep.

Fall brought beautiful leaves and I became intrigued by the possibility of capturing their great shapes. The first picture is of the real leaf I picked up and you can also view my attempt at replicating it in copper.

I also liked the shape of another leaf and achieved a different color for it using a shorter dip in liver of sulphur. This picture was taken before I added a few bead dangles to the leaf where it attached to the necklace. It has already left home and I can’t take another pictures; so you’ll have to imagine it with the embellishment which gave it more personality.

It is good that I captured the leaves before the current rain storm. Most are now gone and today looks like the bleak mid-winter. Thankfully, this atmospheric condition will be temporary here in South Texas. We’re seldom too far away from another sunny day. I hope you’re making it a sunny day wherever you are.

Creativity, Metal Work, Necklaces, Pendants, Wire Work

Mixed UP Metals

October 10, 2009 Karen

In an attempt to complete some pieces that have been on the design table way too long, I worked with a copper piece today. It was one that I must have cut over six months ago. Several weeks ago, I picked up this piece and tried to do something with it by adding fine gauge wire and some gemstones. After making numerous holes in the piece, I realized that I didn’t really have a plan and just let the wire and stones meander across the surface of the copper. It looked all “mixed up” to me, but a kind friend saw it and admired it. “OK”, I thought, “maybe I shouldn’t throw it away.” Instead, I put is aside AGAIN! Today, I picked it up, added the chain and put it on leather. It’s finally complete. I believe in creative incubation, but I think this was excessive! The learning I take from this piece is that perhaps I shouldn’t be so quick to throw something out. Some of my work may just need to go to the time out bin.

The second metal pendant resulted from a continuation of my efforts to make mixed metal pieces. I added one of Ralph’s Rocks from Wildtype Ranch (mentioned in an earlier post) to this piece and am pleased with it. The rock hangs atop a copper shape with sterling silver rondells wired to the side. It has a hammered brass circle at the top. I’m finding it difficult to include the brass with the other metals and am hoping to get used to working with it. Brass doesn’t seem as “earthy” as the other metals, but I think small amounts of it may work in the designs.

As I continue the mixed and/or mixed up metal work, I hope to include more gemstones as accents and more unusual shapes and color combinations. While it seems my hope should be that whatever hatches is pleasing and wearable, I know from my educational training that this goal could hold back the creative process. It’s better to remain open to all possibilities and then later alter the ideas to fit the need. A bad case of the “too”s, as in “that would be too big,” that would make it too bright,” that would be too crooked,” etc. can hold back creative function. So for now, I’m leaving the word “too” in the same wastebasket at “can’t”.

Bracelets, Metal Work, Necklaces, Pendants, Techniques, Wire Work

Mixed Metal Jewelry

October 9, 2009 Karen 2 Comments

When I first saw mixed metal designs advertised in the magazines and books, I didn’t think I liked them. Yet, I’ve tried to keep an open mind about it and the idea of putting copper, brass and silver together is growing on me. I’ve had a great time making mixed metal earrings as shown in earlier posts. I’ve made about 10 more pair this week which incorporate not only the three metals mentions above, but also leather and assorted findings from Home Depot. I think the people who work at that store were a bit amused when this woman got excited about discoveries made in the assorted washers isle. I found some great washers in aluminum (I think) that look like tiny cog wheels.

I’ve had Wrap, Stitch, Fold & Rivet by Mary Hettmansberger since my son gave it to me as a gift last year. This week, I tried the pendant on the cover which I made with adjustments for my materials. I added a couple of mother of pearl rectangles to calm the bright brass on the pendant. Since I didn’t have any silver sheet metal, I used a bit of hammered wire. The heavy copper washer on the back that helps keep the pendant from flipping over is not shown. I first tried this pendant on a silver chain, but thought it was too much and over powered the pendant. I like the leather better. I’ve worn this piece a couple of times this week, but had only one comment from passers by. I’m perplexed as to whether it wasn’t noticed or whether people didn’t like it. Perhaps it requires a different venue and deserves another outing.

I also made a mixed metal bracelet and am happy with it. It hasn’t been “out” yet. I have a feeling it will be more popular than the pendant since woman really like their gemstones. I may try adding a gemstone to the next mixed metal pendant to see if that improves its popularity. Sometimes, a designer just needs to realize that a piece may not have mass appeal, but be looking for that one person who appreciates its uniqueness. hmm . . . this sounds like marriage!

Necklaces, Pendants, Wire Work

I Think That I Shall Never See . . .

October 4, 2009 Karen

. . . a poem lovely as a tree. Do you remember that poem by Kilmer? I couldn’t remember any of the others words and looked it up today. It continues . . .

A tree whose hungry mouth is prest
Against the sweet earth's flowing breast;
A tree that looks at God all day,
And lifts her leafy arms to pray;
A tree that may in summer wear
A nest of robins in her hair;
Upon whose bosom snow has lain;
Who intimately lives with rain.
Poems are made by fools like me,
But only God can make a tree.

I couldn’t help but hold this poem in my mind as I worked on the tree pendants in the picture. Yes, I got a bit carried away, but why make just one tree when you can have a little grove?

We have had blessed rain here in Central Texas and our tanks are full for the first time in over two years. I’m just hoping it’s not too late to save some of the elderly trees. Many have already perished in the drought, but hope springs eternal when the rains come.

Dreamcatcher Designs