Category Archives: Rings

Catching Up

My husband and I just spent a grand eight days in Hawaii; thus I’m trying to catch up on a few things today. We were in Honolulu for three days.

sunset Then we flew to Kona for the remainder of our trip. Notice who got good and wet while we were whale watching on a boat.

whale don and K2

While I was gone, several readers emailed that they were not able to open the link for the ring tutorial in the previous entry. I didn’t realize that what shows up as I write and goes directly on the website URL is not necessarily what transfers to you all in your mailboxes. If you were not able to open the tutorial, here is another link http://www.youtube.com/watch?v=iQ-Az7jIeFA&feature=player_embedded I hope you will try the ring. Wearing it on our trip, I received many compliments and have made several more rings for an upcoming show. I’m trying to figure out how to turn the ring design into a bracelet. Don’t hold your breath on that one!

I was anxious to view the jewelry in Hawaii, and found that the places I looked carried mainly the same style. They were small, lightweight and mostly silver. I didn’t see anything in copper. The exception was some lovely work by different artists featured at Elements, a gallery in Kapaau on Kona. I especially liked the lightweight and colorful anodized niobium earrings. Do any of you work with this metal?  The owner of this gallery was very friendly and gave me lots of information. This is unlike many of the places where I felt they gave me as little information as possible thinking I might steal some grand idea or secret.

I saw very few beaded strands in Hawaii and didn’t find any handmade chains. It made me wonder if my work was truly unique or just out of step. I’m still pondering that one.

Let’s hope I have new pieces to show you in just a few days after I catch up with things around here. For now, I’m just enjoying sleeping in my own bed as I listen to my own dogs barking. You just never know what you might miss on vacation.

Weave a Web

It’s no secret that I enjoy weaving with wire, but I’m realizing that I enjoy weaving relationships as well. I often say to someone  “I’ll bet ‘so and so’ could help you with that” or “ ‘so and so’ would really enjoy meeting you and discussing that.” It’s likely that the true name for this is networking, but weaving people together sounds much more creative.

Sometimes weaving the right people together needs to be added to the planning of an event. Have you ever sat by someone at a dinner party with whom you have absolutely nothing in common with? I guess that’s why some people use place cards! Perhaps you have been invited to a jewelry design event where everyone else was working solely with wire and you were the only metal artist. You either have to weave yourself into the group or watch from afar.

We can also consider how friendships are woven together. When these relationships ebb, flow or dissipate, it can be because the interest that bound them together has changed for at least one of the parties. A tightly woven relationship may continue if there is more than one common thread.

Weaving is also important when you are trying to decide what art/craft shows to participate in. The artist needs to be woven into the tapestry of a show where customers will appreciate the work. If customers visit a show because it is known for sparkling, blingy jewelry and your wares are metal and leather, things might not work out well for you. I like to find venues where I fit into the tapestry, but edge to the fringes with something slightly unique for the customers.

Aside from the above ramblings and philosophy, I wanted to share the new rings I’m been weaving this week. I learned how to create them from a youtube video and share the link below with you.

First I made several of the rings out of copper. I tried putting a bead in one, but am not especially pleased with it.

copper rings

Then I made one out of sterling silver wire and must admit it is my favorite.

silver ringThe weaving on these rings is the same technique that I have used on the newer bracelets and some of the necklaces. It works up very quickly. The only difficulty I had was is molding the 14 gauge main wires at the end.  I hope you will try one of these rings as I think you will like the look.

I also urge you to consider how you weave other things together in your family and relationships. Just as with the wires in the rings, individuals can support one another and create a strong whole.

A Touch of Silver

I’m trying to get braver about the wire and metals I’m using. While copper is my mainstay, a few of my artist friends seem to be pulling me more into silver. I’m not easy to pull! In fact, if you asked them, I feel certain the word “stubborn” would be used to describe my lack of action. Lately, however, a few of the boutiques I serve have asked “can you do that in silver?” My quick response to the owners is usually, “I can try.” The silver has turned out to be a reasonably easy alternative for the designs and the pain of what I paid for the wire and sheet metal is eased when the silver jewelry sells relatively quickly.

I’ve tried to approach the use of silver as I learned to do in my Creative Problem Solving workshops by first stating a question. In what ways might I use sterling silver wire and sheet metal to create pleasing designs that are still affordable? There are a number of criteria inherent in that question including using as little material as possible while still producing a good design. The criteria create nice parameters within which to work. If I develop an idea that doesn’t fit the criteria, then I stop and revise it or throw it out. So far things are working reasonably well within this plan.

The pieces in the photos below show several new silver pieces that all required a little soldering. All of these were small enough that the cost was low and they stayed within the parameters for my problem solving. The earrings might have stayed in place without solder, but I wanted the waves in each direction to remain touching. They were bit tricky to solder.

silverear  

Rings seemed an appropriate project since they don’t require much wire. The original ring with the heart was designed by my friend at Sherry’s Jewels http://Sherrys-Jewels.com. I made a variation that is adjustable and added a little solder to connect the loose end of the heart to the band.

heart

 

The next ring design, shown with two variations is composed of four wires, each of which I soldered into a circle before placing them together. Each wire is about 1/2 inch shorter in length than the wire outside it. I then fitted each circle of wire inside the other and soldered in appropriate places. This one is adjustable as well. The one on the right is an overlapping version while both ends of the rings are meant to show on the left one.

rings

I used some left over wire to make the wire ring for the leaf necklace. The ring was soldered and then shaped and textured. The leaf is made from the foldforming technique mentioned in a previous post.

leaf

 

I consider this type necklace a collage since the dangles are an eclectic collection or things. This one also features a copper wire dragonfly and hangs from leather.

I have found that silver wire handles a little differently than copper and due to its lower melting point I have to be more careful with the torch. Yet, I think practice will work these things out and soon I’ll be braver about the size and cost of what I’m making.

Speaking of silver . . . I regret to inform you that I found a tiny bit in my hair the other day. I’m fortunate to not yet have to color away any gray and found that little silver on the side snipped right away with the scissors. If you see me out and about one day and note a small bald spot on my head, you’ll understand what happened.

Mamaw’s Hands

Hands tell a story. We all know people who talk with their hands. There are those dramatic soles who use their hands to accentuate their words with grand gestures. There are others who snap their fingers or clap their hands while speaking to emphasize words or secure your attention. I think some preachers do this to keep us awake in church. Yet, hands also help tell a story when they are perfectly still.

I remember my Daddy’s hands. His fingers were short and stubby and his nails were broken and brittle. As a woodworker and gardener in his retirement years, those hands met with sand paper, dirt, varnish and all manner of stress. His left thumb was shorter than his right having met with the table saw several years before he died. I used to hold his hands and worry about the nicks and cuts, but they didn’t bother Papaw who would just say “oh well, it can’t be helped.“ This man’s hands showed that he was a worker.

My Mother’s hands tell another story. She, too, was a worker. I remember those hands that not only cooked and cleaned in our home, but also stayed busy with knitting, needlework and constant sewing. Hers depict the pain of arthritis that she has endured for so many years. Now they are gnarled and the enlarged knuckles keep Mamaw from her preferred activities. We have tried numerous things to solve the problem, but alas her days of creating are past. It is as though her body is saying that it’s time to rest. The picture below shows a snapshot of my Mother’s hands with my daughter’s hands taken on the latter’s wedding day.

mamawkimMamaw’s hands also depict the pride she takes in her looks. I cannot ever remember her wearing much nail polish, but she is still taking care of her own nails and stays well manicured.

For several years she has wanted to wear more rings. A wonderful group of bridge-playing ladies volunteer at the nursing home each week and Mother plays cards with them. Evidently several of them wear beautiful wings and Mother wants to do the same. I cannot, however, get her old rings over those substantial knuckles and have tried to make her something she would wear. Unfortunately, I haven’t been able to create anything to suit her. She won’t wear bling and she won’t wear anything plain. I made her a sterling silver S ring that was adjustable, but it didn’t make a hit. This week, I may have finally found the answer. First I had to convince Mamaw that I could NOT work with diamonds and I could not work in gold! Thank goodness she likes lapis. You can see the one I created for her on her finger below. I finally made something both adjustable to go over her large knuckles and acceptable to her.

mamwfront                        mamwringback

It’s a bit difficult to see in the second photo that the ring is open in the back. I was able to open it up and slide it past her knuckles and then squeeze it back shut when it reached the base of her finger. She was pleased since lapis is one of her favorite stones. You can see the configuration of the ring better in the photos that follow. The back was not yet cleaned in one of them.

ringback                       

                     

ringfront

 

 

 

 

Mother was pleased with her new ring and I hope it will help her hands tell her story. This ring says “I’m still beautiful at 90 years of age and I still take great pride in the way I look.” It also says that someone cares enough about her to try and make her happy.

Today, I’m looking at my own hands and realizing the story they tell. My hands show broken, liver of sulphur colored nails and short stubby fingers that are scraped and marred. My fingers do, however, wear multiple rings when I go out in public. My hands are a combination of both my Mother’s and my Father’s hands. They, too, are hands that work. These hands will create until nature says I must stop. I’m hoping that’s a long time from now.

What do your hands say?

The Messy Metal Smith

I wonder who it could be. Do you remember reading the August 11 entry describing how the pickle ate my pants? Well, today, the flux helped turn them white. I was happily spending some uninterrupted time with the torch when my bottle of Aquiflux fell off the table and rolled to some far away place. Oh well, I thought, I can just use the new paste flux sitting right here beside me. I hadn’t used much of it previously, but today seemed like a good day to give it a workout. All was well and I completed a ring with a bezel and two butterfly pendants before I noticed my pants. No, there weren’t any new holes in them, but one leg was practically covered in something white and powdery. Flux! Then I noticed that my hands had a good deal of dry flakes on them. Flux! The paste flux actually worked fine for my projects, but I’m not sure that I like the extra mess. I tried to take a bit more care with it on the rest of my projects, but when I went upstairs to clean up, I noticed I also had white spots on my nose and cheeks. Now you tell me how in the world I managed to get flux on my face. I guess you can just call me the messy metal smith.

By the way, I’m dangerous too. Last week, I managed to reach across the extinguished torch before it cooled. My arm came in contact with the torch and I have quite a nasty burn on my inside arm. It was becoming infected until I started flooding it with hydrogen peroxide. It appears that I’ll live to torch another day. Scars are good . . . right?

In spite of all the mess and the bandaged arm, this was a fairly productive day. As you can see from the photos below, I ended up with two sterling silver rings, two butterflies and two star earrings.

butterfly

I cut the shapes on the butterfly wings with my disc cutter and then sweat soldered them onto the copper shapes. The center piece on the right flutter by is made from a beaded wire.

 

The sterling silver ring sports a lapis stone that I put in a premade bezel cup. It has a little sterling silver flower sweat soldered on the side.

ring blue

I used some very thin copper sheet for the star part of the earrings (or pendants) below. I’m trying out a paper cutter that cuts a star to see how long it will last with this type abuse. It does a fine job of cutting and I’ll just wait and see regarding its life. I appreciate the friend who shared this technique with me. I’ll let you know if it appears to be worth the relatively small investment in decorative paper punches.

star         ring

The last ring shown is from the new Kim St. Jean book mentioned in another entry.

I hope you aren’t as messy as I am, but I DO hope you’re having as much fun as I am! Does that make it OK to be a messy metal smith?

Ring a ding ding . . .

 

rings1

I think it’s interesting to discover what others believe about gemstones and/or specific shapes that may be used in jewelry design. I’ve enjoyed writing for Magpie Gemstones and researching information pertaining to the properties of various stones (http://www.magpiegemstones.com/properties.html); but today I became interested in whether there might be symbolism behind the rings many of us wear. Of course, I understood the symbolism surrounding wedding rings, having worn the same one for over 42 years; yet, I didn’t realize that some believe this ring is on the third finger of the left hand because this is closest connection to the heart (flutter, flutter . . . and a collective “ahhh”).

Some people, married or not, however, wear rings on other fingers and I wondered if these also have symbolism. While researching, I began to wonder if the ring I wear on the third finger of my right hand was symbolizing something to others that I had not intended. Therefore, I had to dig deeper.

I’m a pretty stubborn researcher and always try to verify the information in one source by finding the same information in at least one or two other places. Based on that requirement, here’s what I learned. Some cultures do believe that the finger on which a ring is worn is indicative of something about the wearer. This may vary by culture, but the following seems predominant:

Thumb: A person who wears a ring on their thumb can be telling the world that he/she has strong willpower, is self assertive and insists on freedom and independence.

Index: If a person wears a ring on the index finger, the wearer can be emphasizing personal assertiveness and ambition. Supposedly, that person makes up his/her own mind.

Middle: Wearing a ring on the middle finger is purported to symbolize strength and balance.

Third Finger: A ring on this finger tells the world that the wearer is creative, optimistic and has a sense of well being. As previously mentioned, this finger on the left hand commonly holds the wedding ring. 

Pinkie: Wearing a ring on the pinkie may be telling folks that the wearer considers himself/herself appealing and easily expresses things to others. This finger wears the relationship ring. 

. . . and here I thought people just wore a ring on which ever finger it fit! That’s what I’ve always done; if it fit and felt comfortable, I wore it. Now I’m going to have to pay attention to which finger I have a ring on. But wait, there’s still hope. Is it possible that other people, like me, do NOT know the symbolism just described? If so, then I may as well wear those rings on any finger I choose. But, just in case I want to SAY SOMETHING by wearing the ring on a particular finger, I’m well prepared with the rings I have made this week.

I learned to make the rings in the picture at the top at a wire workers meetup where my friend was kind enough to share her expertise. You can check out Sherry’s Jewels on her Artifire site (http://www.artfire.com/users/sherrysjewels) Directions for the rings at the bottom come from Kim St. Jean’s new book, Mixed Metal Mania. She calls these “old bones” rings, but I just call them “earth” rings.

 earthy rings

The final photo shows a turquoise ring that I am just finishing. It still needs a bit of work. This ring just happens to fit my index finger; so when you see me, be sure to realize that I’m ambitious! In the mean time, maybe you should go try on your rings and figure out if they display any symbolism.

ringturq

By the way, if you need any rings, I think I know where you can get some!